For 50 years, Lydia Okumura has explored the possibilities of geometric abstraction.
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Her signature style, which juxtaposes delicate materials such as string and graphite pencil against walls and floors, challenges our perception of space and blurs distinctions between dimensions.
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The above installation view of @GaleriaJaquelineMartins’s Miami Beach 2019 booth features Okumura’s ‘Untitled I, Medellin Biennial, Colombia’ (1981), from ‘The Appearance’ series, which debuted in 1976 in NYC.
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In addition to the São Paulo-born, New York-based artist, the gallery also presented new works by American artist Robert Barry, pictured on the right.
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